With a nod to P.S. I Love You and with parallels to Christina Lauren’s Roomies, Walker has written a movie-worthy rom-com about an American woman, Cara Kennedy who, while nursing a broken heart, decides to take an already planned 3-day holiday to Dublin without the ex-boyfriend. Serendipitously, her Uber driver from the airport is Finn McGuire, a charming, handsome bloke with a killer Irish accent with whom she feels an instant attraction.
On Leap Day in Ireland (once every four years), tradition dictates that women can ask men to marry them, Thanks to copious amounts of Irish whiskey, Cara’s evening in the pub where she meets up with Finn on her last night ends with a proposal followed by a return to her beachfront bungalow in Malibu where they spend days getting to know each other, all while planning an annulment. Given the obvious attraction and easy friendship, it’s no surprise that they keep putting it off.
Cara is an aspiring screenwriter who has been paying her dues at a top talent agency working for Hollywood’s version of Amanda Priestley. Finn shows up at her office on a whim and, in the blink of an eye, finds himself auditioning for the lead in a highly-coveted blockbuster movie. Shortly after, Cara begins questioning if Finn’s affection is real or if she’s just been a pawn in his quest for stardom.
There is so much to love in this story: swoon-worthy book boyfriend who helps buttoned-up Cara learn to be spontaneous, Hollywood boss from hell who unwittingly drives her to finally write a winning screenplay, former starlet and sassy landlady Penelope who provides color, wit, and wisdom, feisty best friend and co-worker Julia who provides an endless supply of homemade Italian treats, tequila shots and a shoulder to cry on, and Oscar, devoted canine sidekick who voices the epilogue.
Highly recommended to readers who can’t resist a man with a panty-melting accent and sparkle in his eye.
I received a complimentary ARC of this book from Sourcebooks Casablanca through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
Spoilers ahead.
This debut novel is a good effort in need of better editing. The premise is solid and the slow burn romance between Jack and Sadie isn’t bothersome because they were clearly into each other, the sexual tension was off the charts, and their reasons for taking it slow were thoughtful and mature. Unfortunately, from the time that they finally shared their 1st kiss to the end of the book, the story dragged and Sadie’s near-constant self-flagellation became tiresome.
Jack definitely had secrets, but he shared painful memories and feelings with Sadie, making it crystal clear that her presence in his life brought him out of seven years of emptiness and grief. Sadie was also selective in what she shared about her abusive upbringing, but it was pretty obvious from the beginning that her low self-esteem was going to be the vehicle that drives their relationship. When someone has been hurt as deeply as she has, they’ll look for any excuse to avoid pain and loss, even if it means walking away before someone else can reject them.
The highlights of this book are the friendships Sadie cultivated during college and the way this loving group embraced Jack and helped him become whole again. I also really admired the way Jack and Sadie were able to grow their own emotional connection without sex muddying the waters. However, it was obvious from the outset that their relationship was going to hit a snag once it was tested. Despite Sadie’s talent as a florist, her business acumen, and the people who love her and try to convince her that she’s not the selfish failure she was raised to believe, she can’t get past it. So, as readers, we spend a good part of the book waiting for her to destroy the best thing she’s ever had.
Ultimately, this story is about friendship, love, grief, and forgiveness. Despite the uneven pacing and the frustration of listening to Sadie constantly criticize herself, it’s still a beautiful love story and Jack is a wonderful book boyfriend.
I received a complimentary ARC of this book from G.P. Putnam’s Sons through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
Two damaged women, one due to parental abandonment and the other due to a traumatic event in her teens, have shut themselves off from love. Their friendship has been the one relationship where they’ve both opened up and found (platonic) love, but they can’t see that this is proof that they’re capable of romantic love. Luckily for them, they’ve both found men who are kind, loving, patient, and understanding. They both just need to believe that they’re worthy of love.
I really appreciated the terrifying meet-cute between Levi and Jane, when a near-death experience bonds them in a way nothing less could. In that short time in the swinging gondola, they expose their true selves. When they embark on a fake relationship, it’s inevitable that strong feelings will grow and that Jane will have to make a choice.
As for Charlotte and Mateo, theirs is an enemies-to-lovers tale but Mateo never saw her as the enemy. It was more like a Taming of the Shrew scenario where Charlotte is trying to protect herself from further emotional damage from a man. So, it doesn’t make sense when she uses the excuse that people you love leave when this was Jane’s reality, not hers. In fact, she has family that love and miss her.
Overall, this was a beautiful dual love story in which female friends who choose each other as family agree to support each other in overcoming trauma and opening to the possibility of life. It’s also about chosen family and forgiveness. These women are fortunate to find men who come from loving families, so that when they and their partners eventually choose each other, the familial embrace is expansive and hugely heartwarming.
Shalvis proves, once again, why she is one of the reining queens of contemporary romance. This is the first in her new series Sunrise Cove, set in the Lake Tahoe area, so her fans have much to look forward to.
I received a complimentary ARC of this book from William Morrow through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
Spoilers!
Nora Hughes is in a rut, working as an editorial assistant for a floundering publishing company. After five years, she’s no closer to her dream of being an editor, and ongoing austerity measures have resulted in her being severely overworked and underpaid, especially after her salary is reduced beyond a sustainable level. In desperation, she agrees to freelance for a rival publisher and hides that fact from both employers. It’s inevitable that it’ll crash and burn. Meeting and beginning to fall for prized author Andrew Santos while, at the same time, using him to achieve her career goals is bound to end badly. If this story followed the predictable romantic tropes, readers would be assured of a HEA. However, Nora’s spiraling mental health raises the stakes and leaves the ending ambiguous but optimistic.
Andrew, who ranks himself at 10 of 10 on the happiness scale, is an absolute delight. He is thoughtful, protective (in a good way), and full of good humor, so it’s difficult knowing that his relationship with Nora is less than honest and bound to end with heartbreak. Nora is a complex character whose struggle with mental illness and misguided selfishness (motivated by survival) make it challenging to root for her, so readers need to be sympathetic rather than critical. The chemistry between them is tepid, especially with the total absence of any sexy scenes (other than a few kisses). Despite this, the hope is that Nora will eventually get the therapy she desperately needs, find a career path that’s enriching and fulfilling, and be able to reconcile with Andrew. They both deserve nothing less.
I thought this story had promise based on the summary, and I gravitate to books about books. However, I was somewhat disappointed not only by the slow pace, but by how dark it went with Nora’s depression and suicidal ideation. I don’t think it’s unusual, especially in today’s economy, for college graduates to take a “dream” job only to find that their expectations far exceed their reality. However, it’s the decisions they make (or fail to) about the next step in their career path that determine whether or not they’ll be happy pursuing something that takes up most of their waking hours.
Bottom line, it’s a good effort for this debut novelist, but expect women’s fiction rather than full-on romance.
I received a complimentary ARC of this book from Sourcebooks Landmark through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
5*
What a wonderful surprise this book is! The cartoonish cover and cutesy title give the false impression that it’s just another light-hearted romance, but there’s so much more depth than that. Yes, it’s a mash-up of several tropes including brother’s best friend, second chance, and love triangle, but it’s also a thoughtful portrayal of infertility and the way in which fellow sufferers bond over their struggles to conceive and give birth and a scathing indictment of the self-help, inspirational charlatans who prey on people at their weakest moments. In this case, Ian Fortune, Gemma’s boss and long-time crush, is nothing more than a snake oil salesman whose stock in trade are meme-worthy quotations. One minor criticism of the story is the heavy sprinkling of these trite sayings throughout, both as chapter headings and as a way for Gemma to engage with friends and family without being open and honest about who she is and how she feels.
Josh is a charming, somewhat nerdy book boyfriend who, as far as Gemma knows, writes comics, lives in his dad’s basement, and collects panties as sexual trophies. In other words, he’s not boyfriend-worthy, but as former high school valedictorian, football captain, and homecoming king as well as her brother’s best friend who’s spent countless hours with her family, he’s the perfect candidate for a sperm donor once Gemma decides she’s not going to miss the chance to have a baby while waiting for “The One.” However, as Josh fully commits to making a baby with Gemma, she slowly realizes that she knows very little about him and the life he’s led in the 14 years since he went off to college. His reason for agreeing to be her baby daddy is very touching, and his love and care for his terminally ill father is heartwarming.
Ready does a wonderful job of developing her romantic leads and creating scenarios that allow secondary characters to shine, whether it’s the seemingly mismatched support group or Gemma’s mother with her well-meaning yet misguided and casually cruel attempts to find a man who will deign to marry her barren, divorced and “chubby” daughter. This thoughtful and entertaining romance is highly recommended for romance fans, anime cosplayers, and anyone looking for a delightful distraction from our troubling times.
I received a complimentary ARC of this book from Swift & Lewis Publishing through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
Fans of The Bookish Life of Nina Hill will be thrilled to revisit L.A’s Larchmont Village neighborhood and become reacquainted with that titular heroine and her bookstore co-workers in this new book of women’s fiction. Yes, there’s a very slow-burn love story (actually two), but it’s more about found family and friendship.
Laura Costello leaves her home and ex-fiancé in New York City to attend grad school for physical therapy in L.A. Her family of hardcore science academicians has never hidden their disappointment over her decision to forge a new path, and are convinced that she is too fragile due to her PTSD following a serious car accident and long recovery. However, her mother’s heavy-handedness and her controlling ex-fiancé’s unwillingness to accept her rejection and his insulting infantilization of her only serve to strengthen her resolve.
Following a fire in her new apartment building, she find herself in Knight’s bookstore (co-owned by Nina Hill). Serendipitously, sales clerk Polly hooks her up with a room rental in the house where she lives and, as time goes on, she grows to care about Maggie, her landlord and house mom, and Bob, her handsome housemate. Over the course of the summer, while waiting for her classes to begin, she cultivates friendships with Nina and Polly, joins Nina’s trivia team, and with Bob’s encouragement, kindness, and patience, slowly begins to overcome her trauma-induced panic over driving and her reticence about entering a new relationship. Will either of these two awkward friends ever find the courage to acknowledge the attraction that everyone else sees?
The biggest lesson Laura learns is that everyone has fears and personal issues that can hold them back from falling in love, forging new career paths, mending relationships with close family members, and more. However, her new chosen family helps her see that her inner strength not only aids her recovery but also provides the support her friends need to heal their own hurts, chase their dreams, and take a chance on love.
The only disappointment is the lack of any sexual tension between Laura and Bob. Their friendship is enviable, but aside from a couple of kisses and countless longing glances, there’s no heat. It would have been much more satisfying had Waxman used her epilogue to give readers the satisfaction of seeing the relationship ignite. Despite this, it’s a delightful story with very likable characters, satisfying subplots, glorious gardens, a plethora of books, and the unique idiosyncrasies of Los Angeles. Highly recommended.
I received a complimentary ARC of this book from Berkley Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
