Author Erin Connor has given us a delightful romance where life imitates art…or vice versa. Each chapter begins with the name and description of a romantic trope or element, such as “Meet-Cute,” “Just Once, To Get It Out of Our Systems,” “Miscommunication,” and “The Grand Gesture,” which then plays out on the page. Sawyer is a romance writer with a severe creative block and Mason is an actor who is also a hopeful romantic who falls in love too fast, only to see it fall apart after the wrap party. In a bit of serendipity (which is actually one movie that ISN'T mentioned in this story that borrows from several classic romances), they meet up and agree to help each other. He’ll provide inspiration to help her get over her writer’s block and she’ll “unromance” his notions about love by having a series of stereotypical dates gone wrong. However, in the best romantic traditions, those pesky feelings get in the way.
Although I’m not a fan of third person narration or third act break-ups, I still thoroughly enjoyed this debut novel. Mason is the perfect cinnamon roll boyfriend (in a gorgeous package), Sawyer writes my favorite genre, and there’s loads of laughter, friendship, and steamy scenes. The secondary characters aren’t very fleshed out, but there’s so much to enjoy in the central romance that there’s really no need for a supporting cast. I look forward to reading Connor’s future books. Recommended.
I received a complimentary ARC of this book from Forever Publishing through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4.5*
This is a really solid, character-driven story, reminiscent of Daisy Jones and the Six, except that the many people who influenced Annie/Cass/Cate’s life tell their own story for a multi-narrated “memoir” rather than being interviewed. In this case, Cate is an author who uses her writing to make amends, process her feelings about the women she’s loved, and finally realize what will ultimately fill the black hole that is her life. In the process, the story serves as an exposé of Hollywood and how both writers’ and actors’ managers hold immense control over the celebrities they handle, sometimes using it for good, but often for self-serving reasons. Cate is a sympathetic character who made a desperately bad decision, but created something memorable from her catharsis. The secondary characters are fully-realized, perhaps because we get to see them from more than one perspective.
My only slight criticism is that the ending seemed abrupt, but that’s more because I like stories tied up in pretty little bows and that’s not how life works. Although there is a sapphic romance element, it’s not the book’s primary focus which is ultimately about ambition, guilt, loneliness, love in various iterations, the power and pitfalls of celebrity, hiding in plain sight, forgiveness, and redemption. A solid work of women’s fiction I highly recommend.
I received a complimentary ARC of this book from Atria Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
The Wrong Lady Meets Lord Right is reminiscent of some of Shakespeare’s comedies as if read aloud by Bridgerton’s Lady Whistledown. It’s a fun romp through the English Regency period, complete with cousins Lady Isabelle (Issie) and Arabella Grant (Bella), who look very much alike and agree to switch identities so that anxiety-ridden Issie can avoid her first season on the marriage mart. What neither of them anticipates is that they’ll fall in love and risk losing the objects of their affection when their deceit is revealed.
As with her previous book, Mr. Malcolm’s List, Allain pokes innocent fun at the haute ton’s ideas about marriage and the convoluted rules of primogeniture. If you’re looking for a fun, low angst, historically researched, clean romance, this fits the bill well. Recommended.
I received a complimentary ARC of this book from Berkley through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
