The Paris Match by Kate Clayborn

5*

I am a big fan of Kate Clayborn’s and eagerly look forward to each new book. The Paris Match was well worth the wait. One of her greatest skills is in full evidence here: writing nuanced and flawed characters who fall in love despite some heavy damage and work to overcome their pasts in order to feel worthy of the objects of their affection. This is written in third person, but there is enough internal monologue for readers to be tuned into the innermost thoughts and fears of the characters. Griff and Layla who, on the surface, seem to be polar opposites are actually very well-matched. He is the grumpy to her sunshine, but maybe because she is a doctor and has witnessed immense suffering, she has the patience and insight to recognize that his gruffness isn’t so much a personality trait as a coping mechanism for his chronic pain. As a result of this insight and the time they spend alone together (discovering the hidden treasures found throughout Paris where they’re both visiting for a destination wedding), Layla comes to Griff’s defense when he is scapegoated by people who should know better.

Clayborn uses themes from both Beauty and the Beast and The Hunchback of Notre Dame, especially Griff’s numerous references to being a self-imposed prisoner in a “belltower” following the long ago event that left him deeply scarred in both body and mind. They both face metaphorical demons and work on themselves to reach the happy ending they both deserve. Highly recommended.

I received a complimentary ARC of this book from Berkley Romance through NetGalley in exchange for an honest review. Opinions expressed are completely my own.



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Love Requires Chocolate by Ravynn Stringfield

 

4*

If you like Emily in Paris, you’ll enjoy this delightful and sweet young adult romance. Whitney Curry is in her favorite city for the first semester of her junior year. Her well-documented plan (she’s a list maker) is to visit all of the tourist spots while also researching and writing her senior project on Josephine Baker. What’s not on the list is falling for a local boy, especially her grumpy French tutor Thierry. He insists that the best way to learn about the city and gain fluency is to get away from the tourist traps and go where the locals go which, serendipitously, includes him teaching her how to make chocolates at his stepfather’s shop. (Yes, it’s on her list!)

As they spend weeks together, her outsized personality (which I felt was really annoying at the beginning) draws smiles and hard-earned laughter from Thierry, and, in turn, he encourages her spontaneity. As Whitney writes, directs and ultimately stars in a one-act play, she discovers the one thing that was missing: Josephine Baker didn’t just entertain; she also loved her adopted city, her adopted children, and the numerous men in her life. They weren’t a distraction, but rather enhanced her performances and her life which was a lesson Whitney learned to heartily embrace.

Teen romance lovers should thoroughly enjoy this charming and romantic romp through the city of lights. Recommended.

Wished (Ghosted #4) by Sarah Ready

 

5*

I’m guessing this is the final book in Ready’s Ghosted series, and it is such a heartwarming, truly romantic read. Ready has quickly become one of my favorite contemporary romance writers with her well-written, heartfelt, and engaging stories.

After poor Max was rejected by Fiona in Fated, I was hoping he’d find a woman who inspired passion and made him trust that love didn’t have to be destructive. Anna is the perfect love interest for him, but it takes an impulsive wish on her part using an antique necklace as a talisman for Max to even notice her. For her, it was love at first sight when, as his housecleaner, she accidentally interrupted him working from home. However, because she was so good at hiding herself with baggy clothes and oversized glasses, he never would have noticed her if it weren’t for the wish fulfillment: she wakes up the next day learning that’s they’ve been married for seven years and everyone but Max believes it. She knows it isn’t real, but Max has memories that he can’t explain. As they embark on a trip to Paris and St. Tropez with a plan to reverse the wish, they begin to realize that a housecleaner and a wealthy jeweler might have more in common than they’d ever imagined, but is it real, is it magic, or is it just a dream?

As with the other books in the series, Ready beautifully blends magical realism, romance and a bit of mystery to create unforgettable love stories that transcend space and time. Anna and Max are fully realized and the chemistry between them is off the charts. One of the most endearing elements of the book is how they see the best in each other which gives them the space and security they need to let go of the past and allow room for happiness, love, and laughter. Although this can be read as a standalone, I encourage readers to start with Ghosted and go from there. Highly recommended.

I received a complimentary ARC of this book from Swift and Lewis Publishing through NetGalley in exchange for an honest review. Opinions expressed are completely my own.

The Paris Novel by Ruth Reichl

 

5*

The Paris Novel is a beautiful little gem of a book by Ruth Reichl, best known for her time as Editor-in-Chief of Gourmet Magazine and author of a series of engaging memoirs. It was the mention in one of her books of a little black dress she tried on while in Paris that inspired this book. I can’t help but think that much of what Reichl has written mirrors her own experiences, and the story is infused with her love for and knowledge of food. In fact, in the author notes, Reichl reveals that many of the famous people in her book she met in real life. It combines historical fiction (early 1980s), a bit of romance, a reluctant search for a missing father, and a mystery involving Victorine, the model for Edouard Manet’s Olympia, who eventually became a painter in her own right and then faded into obscurity thanks to jealous men.

After a horrendous childhood being raised by a cold, neglectful, narcissistic mother who looked the other way when she was being molested by one of her boyfriends, Stella has led a colorless, boring, but safe existence in NYC. After her mother dies and leaves her a small inheritance with the condition that she go to Paris, her boss forces her to take an extended vacation. Shortly after arriving, she wanders into a shop where the proprietress says she’s been waiting for her, the woman meant for a little black dress designed by Yves Saint Laurent. The dress begins a personal transformation and leads Stella to Jules, a grandfatherly figure who introduces her to the gastronomic delights of Paris and the dawning comprehension that she has a talent for cooking and a passion for food and wine that brings much-needed color to her life.

Her transformation is further aided by the comforting chaos of the Shakespeare and Co. bookstore where Stella finds a home away from home and a colorful cast of characters led by the grouchy but kind real-life George Whitman, who welcomed what he called his Tumbleweeds to use the store as a temporary home on three conditions: help in the store as needed, read a book a day, and write a one-page autobiography before you leave. One of the recurring responsibilities for Stella is to watch his 7-year-old (fictional) daughter Lucie, who is a great help in solving the mystery of Victorine. I couldn’t help but pause my reading many times to look up the people, places, paintings, and events that populate the book. Rather than pulling me away from the narrative, the light research enhanced it.

The entire book is a feast for the senses: the aromas of fine food, the scent of the flowers, the beauty of the landscape and architecture, and the fine art in the museums. Even the revolting description of eating the ortolans is something I won’t soon forget. Highly recommended!

I received a complimentary ARC of this book from Random House through NetGalley in exchange for an honest review. Opinions expressed are completely my own.

The Disappearance of Astrid Bricard by Natasha Lester

5*

The Disappearance of Astrid Bricard exemplifies the best of historical fiction, seamlessly blending real events and people with fictional characters whose lives intersect. It combines a family saga, the mystery surrounding both Astrid’s disappearance and the identity of her father, and an exposé on the misogynistic toxicity of the fashion industry.

In the author’s note, Lester mentions that Mizza Bricard, Astrid’s biological mother, was a real person, knowledge which led me down a Google rabbit hole. Fictional Mizza was the first generation of Bricard women who gave birth out of wedlock (what an archaic term), thus passing on the common surname, but that’s not where the commonalities end. Beautiful MIzza, who began her fashion career almost by accident, grew up fast in the salons of Paris on the eve of World War I, rubbing elbows with everyone from Coco Chanel to Pablo Picasso. Despite her incredible design talent, she was relegated to being a “muse” to Christian Dior with a sordid reputation thanks to the misogynists with fragile egos who rule the world of haute couture, both then and now. As Lester mentions, “I believe the truth is more likely to be found in the accounts of those who knew her, rather than men reporting on her thirty or forty years after her death who’ve decided that the racier the anecdote, the more chance they have of being published.” If you’d like to read more about Mizza, I’ve included a link at the bottom of this review to an article written by Lester for the Sydney Morning Herald.

Mizza’s fictional daughter Astrid, who was raised by her adoptive parents, enrolled in Parsons School of Design in NYC in 1970 at age 24, and, despite not being raised by Mizza, she suffered a similar fate by virtue of association. Hawk Jones was a wunderkind who started his own design house right out of school. From the moment they met in the Parsons Archives, the pull between them was undeniable and unavoidable. Although Astrid’s designs inspired Hawk and he was adamant about giving her credit, the toxic and petty fashion patriarchy persisted in undermining her talent and painting her as a muse as well. Like her mother, whose famous, somewhat scandalous photograph sealed her fate, Astrid was captured wearing a silver lamé dress and nothing else while dancing at a disco. As months passed, she and Hawk pumped out hot-selling pieces while rubbing elbows with the likes of Mick Jagger, and ultimately fell in love. When it all came to a head at the Battle of Versailles in 1973 (an actual event that had the established and favored French designers competing against the upstart, risk-taking American designers), Astrid disappeared, and no one knew if she was dead or in hiding for the next 40 years.

Mizza Bricard at age 55, photographed by Louise Dahl-Wolfe

Blythe Bricard, daughter of Astrid and Hawk and divorced from fashion mogul Jake Black, is at the tipping point of her fashion career. Like her parents, she and Jake met in design school and vowed to support each other’s dreams. However, the pressure and fickle nature of the industry has led her to the point that she must decide if she will continue designing costumes for film (which would mean giving up her dream) or revive her mother’s fashion brand, Mizza, either with Jake’s competitor, with Jake’s company if they can first overcome their personal differences, or by taking the reins herself with investments from other women. In a world heavily populated by female customers, workers, and talent but still run mostly by men, it’s a point of pride and ownership she craves. And, of course, she wants to be the first in her family’s line to get credit for her work and shed the heavy mantle of “muse.”

Although this isn’t a romance, the relationships each woman had are intrinsic to the plot and it’s impossible not to root for both Astrid and Blythe to find some happiness. However, the over-reaching theme is the damage caused by generational trauma and parental neglect and abandonment as well as the repeated messaging that talented women in fashion, especially ones who are trying to be innovative (like Astrid with her mix-and-match separates for ‘working women’, modeled after Anne Klein, the actual female designer at Versailles) will be suppressed, rejected and ridiculed by both petty journalists (like real-life Women’s Wear Daily’s John Fairchild) and most male designers.

“Dior didn’t know Mizza would be reduced in later years. And she was his muse. But she was a designer too. History forgot the second half because it’s a man’s name on the awning. History kept the first half because that’s the way stories of male creators working with women are written.” (Blythe's niece Coco in response to her question about why Dior allowed the press to slander Mizza)

Lester has written characters so compelling and well-rounded and settings so alive with imagery that you can’t help but put yourself in their place. As the mother of a fashion model, I was also affected by the knowledge of how men treated female designers because they were threatened by their talent. I really appreciate Lester’s extended author note, showing readers the depth of her research and findings.

The only slight criticism I have is that the multiple timelines got a bit confusing at times, and I personally would have preferred a first-person point of view from each of the Bricard women. It’s a minor quibble that doesn’t negate the power and appeal of this story. Highly recommended.

For more information on Mizza Bricard, read

She was known as Christian Dior’s muse, but Mizza Bricard was so much more than that.

https://www.smh.com.au/lifestyle/life-and-relationships/she-was-known-as-christian-dior-s-muse-but-mizza-bricard-was-so-much-more-than-that-20230914-p5e4ro.html

I received a complimentary ARC of this book from Forever Publishing through NetGalley in exchange for an honest review. Opinions expressed are completely my own.

 

One Summer in Paris by Sarah Morgan

4*

Grace is a soon-to-be empty-nester, sad to see her daughter go off to college, but excited about spending more time with her husband David, beginning with a trip to Paris to celebrate their 25th anniversary. Unfortunately, he has other plans: to divorce Grace and move on with a woman half his age. So, she decides to make the trip herself. Once there, she meets Audrey, an 18-year-old Londoner who has been struggling with dyslexia and parenting her alcoholic mother for years. Knowing she needs to escape, she takes a job at a bookstore in Paris with the offer of a free apartment. When the two women each end up living above the bookstore and Grace begins to give Audrey French lessons, a fast friendship develops. Despite their differences in age, education, wealth and circumstances, they are both on a journey of self-discovery and, along the way come to share respect, trust and love (which Audrey has never been given unconditionally).

Although Sarah Morgan is a stellar romance writer, the friendship between these two is the driving force with the romantic relationships (yes, there are a few) taking a backseat. There are some sweet, sexy (but not too steamy) love scenes and the Paris that the tourists rarely take time to see. There’s also a charming subplot about a man who visits the store every day methodically looking for something in every book. When that mystery is revealed, most readers will shed a tear or two. Although Grace’s decisions will probably disappoint many readers, this delightful book is still the next best thing to spending a summer in Paris.

I received a complimentary ARC of this book from HQN through NetGalley in exchange for an honest review. Opinions expressed are completely my own.