I’ve now met the Newmans, and I’m richer for it. Set in 1964 (with flashbacks to earlier years), it tells the story of a “real” family who have played themselves on television for over 10 years (the earliest scripted reality TV). In addition to learning more about father Del, mother Dinah, and sons Guy and Shep, it also focuses on a changing society, especially as it concerns women’s rights. When Del is in an accident and put in an induced coma, Dinah is forced to deal with the fallout. Their “out-of-touch” show is nearing the end of its long run, but Del (writer, producer, director, and star) isn’t awake to write the finale. So, despite pressure from the studio execs and their agent, Dinah, along with young LA Times journalist Juliet (who is facing chauvinism and misogyny in her workplace), decides to take on the task herself. In the weeks leading up to the live finale, Dinah struggles with keeping Del’s condition a secret, realizes that she has subjugated who she is in deference to Del and the other men in her life, and begins to open her eyes to the fledgling fight for women’s rights at a very volatile time in U.S. history.
Although the Newman family is loosely based on the real Nelson TV family, Niven gives us a solid look into the impact being in the public eye has on not just Dinah and Del but also their sons who had to grow up in front of the cameras. Guy is the “good” son who follows the rules and remains clean-cut and scandal-free (although he has a huge secret he’s keeping) and Shep is the “bad boy” musician who constantly pushes the boundaries and rebels against the constraints put on him by his parents’ choices.
This is very much a slow burn narrative, but Niven gives her readers plenty of juicy tidbits to keep the book flowing. Fans of Taylor Jenkins Reid will love this story which has some similar themes as Daisy Jones and the Six. Recommended.
I received a complimentary ARC of this book from Flatiron Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
Be careful what you wish for!
When Brynn, a divorcee and uber-fan of the teen drama series Carson’s Cove (think Dawson’s Creek), blows out the candle on her 30th birthday cake, she wishes “to finally get the perfect happily ever after.” So, when she wakes up the next morning in Carson’s Cove, which she described as “comfort food in television form” and the show that helped her through her difficult teenage years and was a balm after her life fell apart post-divorce, she’s cautiously excited. Unfortunately, her roommate Josh, who she’s just recently realized she’s attracted to, has traversed the space-time continuum with her. According to Sheldon, the evil mastermind who caused their teleportation, the only way to get back home is for Brynn to play Sloan, fall in love with Spencer (the teen heart throbs who never got their happy ending when the show was abruptly cancelled), and live happily ever after. Unfortunately, after 15 years, they aren’t the same people and the idealized, made-for-tv version of this charming small town isn’t what it appears to be. What’s a woman to do when she gets everything she wished for, but no longer wants it?
I generally enjoy a romance with a bit of magical realism, and this unique story is no exception. I do wonder how Sheldon was able to make it all happen, but beyond that, it was fun to see how perfection on the screen hides the messy reality that is life. This story has a bit of everything: pseudo-villains, false friends, a love triangle, small town romance, falling for the bad boy, female empowerment, and more. The chemistry between Brynn and Josh is smoking, all characters are well-defined, the dual POV was a plus, and the pacing is on point. If you’re looking for a fun, low stakes romance, check this one out. Recommended.
I received a complimentary ARC of this book from Dial Press through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
This story wasn’t what I was expecting. I thought it would be a relatively lighthearted, humorous romp through the world of reality dating shows like The Bachelor. Instead, it was a biting, searing indictment of the ugly truth behind the scenes and the traumatic toll production machinations, vicious fans and TV critics, and ironclad contracts and NDAs can take on contestants. In the case of The Villain Edit, romance author Jacqueline (Jac) Matthis received a million-dollar payout for three books, but her first book was mismarketed and sold poorly. The second one fared worse, and the third was cancelled. After five years in NYC, blowing through her cash living what she assumed was her “best life,” she’s forced to move back home to Charleston, SC. With nothing to lose and the hope of reviving her flagging career and book sales, she impulsively becomes a contestant on the 1, never anticipating that her natural honesty, cynicism, skepticism, and intellect (with creative editing) will paint her as the villain of the season. When the bachelor, Marcus, chooses her as an early favorite, the other contestants claws come out.
If that weren’t bad enough, soon after she enters the mansion, she discovers that her hookup from the night before, Henry, is one of the producers. What follows is twelve weeks of forbidden growing attraction between them (despite her questioning how much of his attention is genuine versus manipulative for the sake of the show), concerning revelations about Marcus and other contestants, diminishing physical and mental health thanks to little sleep and missed meals (who knew contestants couldn’t eat while being filmed ), and Jac’s growing concern that it will all blow up in her face, destroying both her reputation and her livelihood. This villainization was well-illustrated by snippets of social media commentary, press releases, author chat groups, and blog articles interspersed throughout the novel.
Author Devore did extensive research on The Bachelor to give authenticity to the story. Jac, Marcus and Henry are all flawed characters, so the pseudo-love triangle is often hard to navigate because you don’t know what is the truth and who actually deserves a happy ending. The rampant misogyny is hard to stomach, especially since much of it is perpetrated by female producers and contestants who are pitted against each other in the name of “great television.” Devore’s compelling descriptions of the harsh reality of regimented schedules, overconsumption of alcohol, the absence of books, devices, and anything else that would draw attention away from Marcus, emotional manipulation, and food deprivation painted a really clear and disturbing picture of the dangers of these shows.
Although this is a romance, it doesn’t follow any formulaic tropes. There are definitely steamy scenes, many stops and starts, and love interests dealing with emotional baggage, and, in Jac’s case, low self-esteem coupled with defensiveness. You still can’t help but root for a happy ending, even if it’s not clear for most of the story which, if either, man she’ll end up with. I recommend this to anyone looking for a smart, complex, love story with several twists.
I received a complimentary ARC of this book from Avon through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
