This book made me feel both uncomfortable and angry. From childhood, Saoirse (formerly known as Sarah) has been failed by the adults in her life. Her mother had her at age 16 and was ill-equipped to handle a child, especially with a drug addiction. Her stepfather is terrifying, and the “system” didn’t save her. Instead, she saved herself by escaping to Ireland with a stolen passport, and this is where the story begins. Unfortunately, it’s also where she meets Paul on the plane. The book is a series of flashbacks, using Saoirse’s haunting artwork to tell the story. It speaks to the strength this traumatized young woman has to protect those she loves and to move to another country alone while still in her teens.
Hurtubise does a phenomenal job of balancing the suspense of the past Saoirse is hiding, the abuse that leaves its psychological mark on her, a touching romance, and an indictment of the social service programs in the US and the strict, misogynistic laws in Ireland that trap women in terrible relationships where their only potentially safe option is to flee the country.
This would be a wonderful choice for book clubs but also has a number of triggers to be aware of. Highly recommended.
I received a complimentary ARC of this book from Celadon Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
I’ve now met the Newmans, and I’m richer for it. Set in 1964 (with flashbacks to earlier years), it tells the story of a “real” family who have played themselves on television for over 10 years (the earliest scripted reality TV). In addition to learning more about father Del, mother Dinah, and sons Guy and Shep, it also focuses on a changing society, especially as it concerns women’s rights. When Del is in an accident and put in an induced coma, Dinah is forced to deal with the fallout. Their “out-of-touch” show is nearing the end of its long run, but Del (writer, producer, director, and star) isn’t awake to write the finale. So, despite pressure from the studio execs and their agent, Dinah, along with young LA Times journalist Juliet (who is facing chauvinism and misogyny in her workplace), decides to take on the task herself. In the weeks leading up to the live finale, Dinah struggles with keeping Del’s condition a secret, realizes that she has subjugated who she is in deference to Del and the other men in her life, and begins to open her eyes to the fledgling fight for women’s rights at a very volatile time in U.S. history.
Although the Newman family is loosely based on the real Nelson TV family, Niven gives us a solid look into the impact being in the public eye has on not just Dinah and Del but also their sons who had to grow up in front of the cameras. Guy is the “good” son who follows the rules and remains clean-cut and scandal-free (although he has a huge secret he’s keeping) and Shep is the “bad boy” musician who constantly pushes the boundaries and rebels against the constraints put on him by his parents’ choices.
This is very much a slow burn narrative, but Niven gives her readers plenty of juicy tidbits to keep the book flowing. Fans of Taylor Jenkins Reid will love this story which has some similar themes as Daisy Jones and the Six. Recommended.
I received a complimentary ARC of this book from Flatiron Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
4*
Ruth Winters, who is presumably autistic, had spent the entirety of her adult life putting herself last and giving up her dream of a career in the art world. She also suffers from social anxiety, which contributes to her aversion to change. However, after spending her young adulthood serving as caregiver to her incapacitated father and many more years married to her late husband who was more of a roommate than love match, she finds herself at loose ends after being laid off. So, life begins to change whether she’s ready for it or not.
Aside from the babysitting she falls into, her life is small and lonely. She only has her loving niece Chloe and a highly-contentiously relationship with her sister, Ronnie. Then, in anticipation of her 50th high school reunion, she hears from an old crush, Martin, who wants to see her. She also gets some awful news from her sister which sets them on the road to reconciliation. It’s both humorous and heartwarming watching Ruth’s self-confidence build as others come to rely on her and, with the attention from both Martin and her sister, witnessing her really come out of the self-imposed cocoon she’d been wrapped in for decades.
As a woman almost as old as 68-year-old Ruth, I could relate to so much of what she has gone through. Her transformation is really inspiring for those of us who have sacrificed so much for our children, or in Ruth’s case, for her father and late husband, especially when we find ourselves lonely for companionship, reminiscing about our youth, and questioning some of the decisions we made that have caused some degree of regret. I know I’m not alone in occasionally thinking about “the one who got away” and how it would play out if given the chance to reconnect.
I liked almost everything about this book except the very abrupt ending. I would have preferred to see more of Ruth and Martin’s relationship building and have some insight into where Ruth’s life was heading. However, it is still a worthwhile, character-driven read that has left me pondering my own life choices, which is a great way to get my mind off of current events that I can’t control. Recommended.
I received a complimentary ARC of this book from Lake Union Publishing through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
This story “started” in the mid-1800s with the arrival of Irish immigrants fleeing the famine and settling in the cold, desolate landscape of Yorkshire England. Rowan Thorpe is a folklorist whose current project is uncovering the stories told, and eventually written, about the Fairy Stane, a large, heavy stone set among the reeds and bracken on the moor between her restored mill cottage and the remains of an English manor house. Legend has it that the Stane is the gateway to Fairyland and it isn’t to be moved or the “little people” will escape and wreak havoc on the earth. Although she knows that the tale isn’t true, she’s highly protective of the site, both in honor of those long gone and for more personal reasons. So, it’s no wonder she doesn’t welcome visiting Professor Conor O’Keefe, an historian who is in York to research a possible Roman settlement on land where the Stane sits and who announces when first meeting her that he might have to turn the stone over to check for markings. As these two wounded souls are thrown together, first due to noisy neighbors, then thanks to blizzard conditions, they begin to build a friendship and to realize that they have more in common than they initially thought. Rowan’s job is to record and preserve these oral traditions and Conor’s is to gather facts and uncover artifacts to explain history, but the lines begin to blur the more they share about themselves and the motivations that inform their actions.
Although there is an enemies-to-lovers romance that slowly builds, this book focuses more on how grief, guilt, and shame manifest and the stories that people tell themselves and eventually share with others as a way either to explain things they can’t comprehend or to provide comfort when tragic life events occur with no rhyme or reason, both of which are at the heart of the oral storytelling tradition. The pace of this story is very slow, sort of like an archaeological dig. It’s told from Rowan’s POV, and I would like to have heard more of Conor’s perspective. Initially, I had trouble understanding Rowan’s protectiveness of the Stane, which made her seem very rude and antagonistic. Since she doesn’t believe that fairies are real, and everyone who told or recorded the stories originally is long gone, who besides herself would have a problem with the stone being lifted temporarily? Moving the stone doesn’t negate the value of oral storytelling, especially from an historical perspective, but she argues that it does. Luckily, as time goes on, Rowan’s and Conor’s motivations both become clear, and Lovering does a stellar job of tying all elements of the story together. Anglophiles, history buffs, and readers who like closed door romances embedded in more complex stories will find this book compelling. Recommended.
I received a complimentary ARC of this book from Boldwood Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
What a beautiful, heartwarming story! Set in a small town in Australia, it’s about an 82-year-old widower named Fred who is mistaken for a recently deceased nursing home resident named Bernard. Due to their uncanny resemblance and Bernard’s dementia, nobody believes Fred when he tries to correct the misunderstanding, and he finally gives up trying to convince the staff because living as someone else with a comfy room, 3 meals a day, and the friendship of his fellow residents to stave off his crushing loneliness is much better than being homeless, which was his next step had fate not intervened. However, when he learns that Bernard has a daughter he was estranged from for over 30 years, Fred has to make the difficult decision of whether to come clean or try to be a father to this lovely woman who has already lost so much in her life.
Author Johnston has written a unique story that highlights the plight of the elderly which is universal. Although the message is ultimately uplifting and redemptive for Fred, it also illustrates how shamefully inadequate the social safety nets are for some of society’s most vulnerable citizens. Fred is as healthy as an octogenarian can be, with no signs of dementia, but thanks to medical debt he incurred when his late wife was battling cancer, he was forced to sell his home and is eventually evicted with nowhere else to go. More fortunate seniors are able to afford decent nursing homes, but they are still at risk of shabby treatment by staff if oversight is lacking, which is portrayed in this book by a nurse who is barely coping with the dissolution of her marriage by turning to alcohol. Johnston also uses a delightful character named Albert to portray dementia and Fred’s friendship with him to demonstrate the correct way to interact so as to cause the least emotional upset and heartbreak. There is plenty of humor as it relates to the human condition, but also plenty of tears. As someone who witnessed her own mother’s long battle with dementia, this story was sometimes painful to read, but I have no regrets thanks to Johnston’s thoughtful handling of the disease.
If you’ve read and enjoyed Remarkably Bright Creatures, you’ll want to read this book as well. Highly recommended.
I received a complimentary ARC of this book from William Morrow through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
5*
This beautiful story was not at all what I expected. It’s about the Presbyterian ministers who broke from the established church in protest against the system of patronage (wealthy landowners could install their own ministers in parishes on their estates) and formed their own Free Church. However, they gave up their homes and their salaries (emoluments), so had to find alternate ways to earn income and funds for new church buildings until their congregations were self-sustainable.
John Ferguson is one such minister who asks his brother-in-law if he knows of any work and ends up taking on the job of evicting the last inhabitant of a desolate Scottish island that the greedy British landlord wants to use for raising sheep. The story takes place towards the end of The Clearances, a punitive, inhumane practice begun after the Battle of Culloden in the mid-1700s that forced (often burned) Scottish people out of their homes and, if they survived, either onto land that was barren and ill-suited for farming or onto ships bound for the U.S., Canada and Australia.
The day after John arrives on the island, he falls off a cliff and the following day, Ivar finds him, tends to his wounds, and nurses him back to health. In their weeks together, they use pantomime and other visual clues to learn each other’s language and form a strong bond. There’s a surprising twist at the end that I didn’t see coming.
At just over 200 pages, this is a compact story that portrays the emotional toll The Clearances took on the Scottish people and what can happen when a good man takes on a task that is anathema to his moral compass and sees the human side of a tragedy up close rather than through the lens of greed. It’s a beautiful, atmospheric tale that, in little ways, is reminiscent of movies like The Banshees of Inisherin, Portrait of a Lady on Fire, and The Piano. Highly recommended.
I received a complimentary ARC of this book from Scribner through NetGalley in exchange for an honest review. Opinions expressed are completely my own.
