The Start of the Story by Jane Lovering

 

4*

This story “started” in the mid-1800s with the arrival of Irish immigrants fleeing the famine and settling in the cold, desolate landscape of Yorkshire England. Rowan Thorpe is a folklorist whose current project is uncovering the stories told, and eventually written, about the Fairy Stane, a large, heavy stone set among the reeds and bracken on the moor between her restored mill cottage and the remains of an English manor house. Legend has it that the Stane is the gateway to Fairyland and it isn’t to be moved or the “little people” will escape and wreak havoc on the earth. Although she knows that the tale isn’t true, she’s highly protective of the site, both in honor of those long gone and for more personal reasons. So, it’s no wonder she doesn’t welcome visiting Professor Conor O’Keefe, an historian who is in York to research a possible Roman settlement on land where the Stane sits and who announces when first meeting her that he might have to turn the stone over to check for markings. As these two wounded souls are thrown together, first due to noisy neighbors, then thanks to blizzard conditions, they begin to build a friendship and to realize that they have more in common than they initially thought. Rowan’s job is to record and preserve these oral traditions and Conor’s is to gather facts and uncover artifacts to explain history, but the lines begin to blur the more they share about themselves and the motivations that inform their actions.

Although there is an enemies-to-lovers romance that slowly builds, this book focuses more on how grief, guilt, and shame manifest and the stories that people tell themselves and eventually share with others as a way either to explain things they can’t comprehend or to provide comfort when tragic life events occur with no rhyme or reason, both of which are at the heart of the oral storytelling tradition. The pace of this story is very slow, sort of like an archaeological dig. It’s told from Rowan’s POV, and I would like to have heard more of Conor’s perspective. Initially, I had trouble understanding Rowan’s protectiveness of the Stane, which made her seem very rude and antagonistic. Since she doesn’t believe that fairies are real, and everyone who told or recorded the stories originally is long gone, who besides herself would have a problem with the stone being lifted temporarily? Moving the stone doesn’t negate the value of oral storytelling, especially from an historical perspective, but she argues that it does. Luckily, as time goes on, Rowan’s and Conor’s motivations both become clear, and Lovering does a stellar job of tying all elements of the story together. Anglophiles, history buffs, and readers who like closed door romances embedded in more complex stories will find this book compelling. Recommended.

I received a complimentary ARC of this book from Boldwood Books through NetGalley in exchange for an honest review. Opinions expressed are completely my own.